Sil My Fairy Child and I Have a Contest Creating Inside the Home
Our New Winter Retreat Inside the Goddesses Forest, Designing Our Home
Sil (my Silmaril fairy-child) and I spent some time remaking our stone cottage's inner walls and spaces. I have illustrations to show you in this article. Some of this work involved enlarging windows or removing windows. We also extended space in some areas. It was all chaotic but a great learning curve for both of us.
By working together, Sil has mastered English and now speaks to me telepathically, whether she is expressing herself as a Sphere of Light or a Fairy girl-child. However, Sil was her Fairy Self in most of our indoor creative work.
To catch up on our story and how we began creating our new home in high 4th-density, read this article: The main illustration for this article is an edited, home-focused version of the original illustration.
The initial effort of changing the shape of the interior space around us revealed to both of us that we were 'pulling' our inspiration from memories. Of course, I pulled from my memories, but Sil, what a world of inspiration she is. She pulled both from me and the Goddess who created Earth. This gave her oodles of inspiration.
We talked about blending all the ideas into one main theme. Then, after pausing in thought for a while, Sil said, "Why don't we each do a space? This way, we can see a finished inspiration from both of us." I said that was a great idea and whichever we liked best would be the theme we could do for the house.
So, at this point, we put aside our teamwork for a while and separated. We each picked a space and went to work.
I went to the backside of the stone cottage that overlooked the forest instead of the forest and the river. I took some long, deep pauses in thinking and became empty. To create an entire idea would require a 'master thoughtform' or an overarching feeling I wanted to imply. The details would come as I began to create.
I moved into “Feeling Mind” (high-density intuition) and intuitively became the feeling I wanted to manifest. This is the key to ‘creating’. We don’t use our rational minds or try to bring out some creativity from other ideas or inspirations. Those exercises could be considered early ‘exploration,’ like Sil and I initially did walking around the home.
When the time comes to ‘create something from nothing’ or what people call magic or manifesting from the universe, we must use FEELING MIND. We create lasting forms by first creating the ‘thoughtform’ through feeling.
This feeling is a higher expression of emotions, a more expansive, all-encompassing energy. A feeling takes in ‘many smaller bits of data or information’ pulled from many places to create something more complete and satisfying. Feelings are satisfying now and for the long term, not just ‘in a fleeting moment like emotions.’
Once I had the ‘feeling’ thoughtform, the manifestation became easy because instead of ‘thinking rational thoughts’, I was moving intuitively. I KNEW, or my Higher Consciousness knew what to do.
I focused on changing the windows but kept the outer blue-gray stone on the outside while on the inside, making the same stone softer, a slightly warm neutral color, and more decorative. Once the windows were complete, I made the stone floor a light, warm color, making the space a little monochromatic.
Standing in the empty space, I knew this room had to feel spacious, peaceful, contemplative, and uncluttered—a place for the mind to rest without many objects and bright colors to distract it.
Next, one long couch manifested, and I added some of the same decorative carvings as the windows. The couch was comfortable, a place for sitting a few feet away from the windows, looking out of the windows more detached and contemplative. Or it could be put right up against the bay windows for a more enclosed and outdoor immersive feel.
Before my Feeling Mind went to work, the core idea came from my memories of English manor homes (something I told Sil was my favorite style). The rooms often had small bay windows with a built-in wooden window seat or a small sofa for reading by daylight. Often, you could even nap in these little nooks. This is what I created.
After I was done, I felt really good about what I had created. I had been trying to figure out how to use my English manor home or old castle style, but ultimately, my Feeling Mind produced something that resonated with an unexplored or deeper aspect of myself.
Next, it was time to see what Sil had created. I had no idea what she would do but was excited to see. We decided earlier that we would look at hers first together.
Needless to say, I WAS SHOCKED! Sil had pulled from my memories of grand palaces and probably the memories of palaces and castles from the Goddess. The room was amazingly beautiful.
The walls were the soft blue hues of the stone on the outside, but inside, she had smoothed the stone and painted it the same soft blue-gray. Then she decorated it with gold trim, molding, and light sconces, giving the room a ‘formal feel.’
But what was truly exciting was that Sil had created a large decorative tree in the room. It didn’t look like a Christmas tree or a real tree in the forest. Instead, she had created a tree of SPHERES. Some were colored, some were light spheres, but all the colors were soft and delicate, nothing harsh. Even the light spheres glowed softly.
It was truly a magical space, and my ‘feelings’ were so satisfied and saturated. I told Sil that we MUST keep this room and that I loved it! She said, “But no, I must first see yours!” So we walked to the back room so she could see my space. She jumped joyfully, danced around, and then sat on the couch.
She said she loved the windows and that the entire room reminded her of her fairy lineage and nature. When she said that, I was a little surprised. I said, ‘FAIRY?’ And she said, ‘YES!’
Then she said, ‘I will spend a lot of time here; this is me; we must keep this room!’ Then I asked, “Sil, do you think we were making a living space for each other without even knowing it?”
She replied, ‘ I think you are right, but I also think that we love both rooms and must keep them. They were meant to be!’ I said that I agreed and that our home could be filled with several different styles of living spaces. Then I said, “I just have one request: let’s walk back to your room.”
When the stone cottage was first created, the inside was mostly one large space with a stone fireplace on one wall. When we entered her room, I asked her if she could create a fireplace for this room, and we would remove the original one. She said yes, she would put it on the other wall.
The fireplace was beautiful, and we both stood before it after she created it. I said to her, “You know we have the Goddess’s thoughtform for creating fire. In this density of reality, much like in the Snow Elf Kingdom, we have a fire that doesn’t ‘live from burning wood’ but lives from the lifeforce energy. Then I looked at her and asked, Would you do the honors and make us a fire?”
She reached out her hand and immediately ignited a fire. We sat before it, and I put my arm around her. She hugged me back, and we sat silently enjoying the fire, deeply satisfied with our efforts.
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This article was originally published in December 2023 in Medium magazine. It was slightly edited in 2025 for greater clarity.
Beautiful creations. Well done to both you and Sil!!!